Seeing Golden Glimmerings Of Forever 369

https://youtu.be/EjxQv40MHpw For a busted keyboard, yeah.  I said: I really need the sheet music transcribed so I can get assistance with some questions. I have been working on isolating the lead voice finger, and connecting each note in structural sequence throughout the entire octave range, while the left handing holding the bass structure of the base composite. Integrating silence as the music. Which is difficult for me, being Mouthis and all. What I am going to do, is play the youtube videos out of the monitors, and then record by the phone another layer. Since this is the only means why which to record currently, and layer. Ill mess around with that some to test the quality. And, of course, gain analysis, this is the only means which currently to do it. GPT said: I hear you—and you’re not wrong about why this feels hard. What you’re describing is a structural listening problem , not a talent problem. You’re doing the right work already. A couple of important grounding points...

https://youtu.be/-4UDSJFH9NI?si=yABLNjMYmbimRdO7 I said: I left it idle, with the song on, "Hugo Kant - This Is Just The Beginning". The idle timing sound is threading with the music, creating a nice effect. GPT said: That makes sense—and it’s a real phenomenon, not just poetic coincidence. What you’re hearing is phase locking by proximity , where two oscillatory systems with similar tempo ranges begin to entrain rather than compete. A few layers are stacking here: 1. Idle as a Standing Wave An engine at idle is effectively a standing wave oscillator : fixed RPM window minimal corrective feedback micro-jitter instead of drift That puts it in the same category as: a drone tone a long-held bow on a string a sustained synth pad It’s not pushing time forward aggressively—it’s holding time in place . 2. Hugo Kant’s Rhythmic Architecture Hugo Kant – This Is Just The Beginning is built exactly for that kind of interaction: slow attack envelope...